Issue Index

Victor Ehikhamenor, Holy, Holy, Holy King (detail), 2018, rosary beads and bronze statuettes on canvas, 116 x 71 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Sonia E. Barrett, Table No. 6, 2013, wood and metal.

Digital image courtesy of Bruno Weiss.

Isaac Oliver, Sir Edward Herbert, later 1st Lord Herbert of Cherbury (detail of visible light image), ca. 1613-14, 18.1 x 22.9 cm. Powis Castle, National Trust (NT 1183954).

Digital image courtesy of Hamilton Kerr Institute.

Bill Brandt, Family Supper (recto), 1937, printed ca. 1943, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Barking, 2019.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Ada Hao, Still from "like a flower paddle my teeth" (8:25), 2019.

Digital image courtesy of Ada Hao.

Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 x 39.1 cm. Collection of Museums Sheffield (VIS.4951).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth and Shakila Haider, Gardens of England, Bryant's Hill, 2017, watercolour on wasli paper, 30 x 34 cm.

Digital image courtesy of David Alesworth and Shakila Haider.

Jonathan Law, The Boy-Narcissus, still from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Unidentified photographer, possibly Elsie Knocker, “Self and Jean-Batiste”, Mairi Chisholm with Jean Batiste, a Belgian Congolese soldier, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Pilgrim souvenirs and secular badges, from the collection of the British Museum, London.

Digital image courtesy of Trustees of the British Museum.

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, adminton Horse Trials, Badminton House, Gloucestershire, England, UK, from 'The Cost of Living', 1988

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON28930)

Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text

Digital image courtesy of the artist

David Lewis, Fan, 2016

Mikhail Karikis, Children of Unquiet (video still), 2013–14

Digital image courtesy of the artist