Issue 6 – Summer 2017

Editorial

Editorial – Jessica Berenbeim, Sandy Heslop

Medieval Invention and its Potencies

Article – Paul Binski

Innovation in English Gothic Architecture:
Risks, Impediments, and Opportunities

Article – Roger Stalley

Imagining Invention:
The Character of the “Gothic architect” and England, 1200–1400

Article – James Hillson

Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral

Article – Alexandrina Buchanan, Nicholas Webb

Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

Article – Helen Lunnon

Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster

Article – Laura Slater

The Englishness of English Sedilia

Article – James Alexander Cameron

Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

Article – Jessica Barker

In the Vineyard of the Lord:
Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

Article – Veronika Decker

The Temple of Justice and the Key of David:
Anachronism and Authority in the Chichester Seal Matrix

Article – Lloyd de Beer

Resonance and Reuse:
The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

Article – Kristen Collins

Wording the Wound Man

Article – Jack Hartnell

Disciplining the Digital:
Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History

Conversation Piece – Amy Jeffs

One Object

An Ivory Staff Terminal from Alcester

One Object – Sandy Heslop

One Object

Pilgrim Souvenir: Hood of Cherries

One Object – Amy Jeffs

One Object

Morse Decorated with the Crucifixion and the Monogram of Abbot Walter Clifton of Warden Abbey

One Object – Michael Carter

One Object

Pilgrim Souvenir: Ampulla of Thomas Becket

One Object – Amy Jeffs