Issue 3 – Summer 2016
British Sculpture Abroad, 1945 – 2000
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British Sculpture Abroad: An Introduction
British Sculpture Abroad: An Introduction
Introduction – Penelope Curtis, Martina Droth
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The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”
Section
The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”
Essay – Henry Meyric Hughes
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Henry Moore's Exhibition in Yugoslavia, 1955
1945–1960
Henry Moore's Exhibition in Yugoslavia, 1955
Essay – Želimir Koščević
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Barbara Hepworth in Brazil
1945–1960
Barbara Hepworth in Brazil
Essay – Ana Gonçalves Magalhães
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British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors
1945–1960
British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors
Essay – Emanuela Pezzetta
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<i>1984 and Beyond</i> (2005–07)
1945–1960
1984 and Beyond (2005–07)
Essay – Gerard Byrne
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Introduction to British Sculpture Abroad in the 1960s
Section
Introduction to British Sculpture Abroad in the 1960s
Essay – Jon Wood
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British Constructivist Art
1960s
British Constructivist Art
Essay – Sam Gathercole
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“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA
1960s
“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA
Essay – Arie Hartog
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Hybrid Sculpture of the 1960s
1960s
Hybrid Sculpture of the 1960s
Essay – John J. Curley
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Sight Unseen: Anthony Caro’s <i>Prairie</i>, 1967
1960s
Sight Unseen: Anthony Caro’s Prairie, 1967
Essay – Sarah Stanners
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The Geography of Making or On Finding Moore Everywhere
1960s
The Geography of Making or On Finding Moore Everywhere
Essay – Simon Starling
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1970s: Out of Sculpture
Section
1970s: Out of Sculpture
Essay – Elena Crippa
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Mark Boyle and Joan Hills at the Gemeentemuseum, The Hague
1970s
Mark Boyle and Joan Hills at the Gemeentemuseum, The Hague
Essay – Chris Townsend
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<i>The British Avant Garde:</i> A Joint Venture Between the New York Cultural Center and <i>Studio International</i> Magazine
1970s
The British Avant Garde: A Joint Venture Between the New York Cultural Center and Studio International Magazine
Essay – Jo Melvin
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<i>Arte Inglese Oggi,</i> Milan, 1976: Between Formalism and Conceptual Art
1970s
Arte Inglese Oggi, Milan, 1976: Between Formalism and Conceptual Art
Essay – Elena Crippa
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<i>Un Certain Art Anglais,</i> 1979
1970s
Un Certain Art Anglais, 1979
Essay – Lucy Reynolds
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Henry Moore’s Public Sculpture in the US: The Collaborations with I. M. Pei
1970s
Henry Moore’s Public Sculpture in the US: The Collaborations with I. M. Pei
Essay – Alex Potts
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Renewing the New: British Sculpture in the 1980s
Section
Renewing the New: British Sculpture in the 1980s
Essay – Greg Hilty
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<i>The British Show</i> in Australia, 1985
1980s
The British Show in Australia, 1985
Essay – Anthony Bond
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<i>A Quiet Revolution: British Sculpture Since 1965</i>
1980s
A Quiet Revolution: British Sculpture Since 1965
Essay – Mary Jane Jacob
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<i>full’n’empty – subjectobject – uhmm,</i> Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991
1980s
full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991
Essay – Julian Heynen
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Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s
1980s
Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s
Essay – Nick Baker
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Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s
Section
Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s
Essay – Courtney J. Martin
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Sensational Cities
1990s
Sensational Cities
Essay – John J. Curley
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<i>Brilliant! New Art from London,</i> Walker Art Center, 1995–96
1990s
Brilliant! New Art from London, Walker Art Center, 1995–96
Essay – Richard Flood
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<i>Real/Life: New British Art</i> and the Reception of Contemporary British Art in Japan
1990s
Real/Life: New British Art and the Reception of Contemporary British Art in Japan
Essay – Kajiya Kenji
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With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990
1990s
With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990
Essay – Rakhee Balaram
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Disorienting the Art World: Mona Hatoum in Istanbul
1990s
Disorienting the Art World: Mona Hatoum in Istanbul
Essay – Jo Applin