Issue index

Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 x 39.1 cm. Collection of Museums Sheffield (VIS.4951).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.

Digital image courtesy of David Alesworth.

Jonathan Law, The Boy-Narcissus, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Unidentified photographer, possibly Elsie Knocker, “Self and Jean-Batiste”, Mairi Chisholm with Jean Batiste, a Belgian Congolese soldier, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Becket on a Peacock, ca. 1250–1350, lead alloy, 5 x 2.7 cm. Digital replica of pilgrim souvenir in the collection of the British Museum (2001,0702.2).

Digital image courtesy of Rob Kaleta for the Digital Pilgrim Project (2016). Taken courtesy of the Trustees of the British Museum.

Francis Alexander Skidmore and Sir George Gilbert Scott, Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, adminton Horse Trials, Badminton House, Gloucestershire, England, UK, from 'The Cost of Living', 1988

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON28930)

Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text

Digital image courtesy of the artist

David Lewis, Gallery Shutters, 2016

Adam Broomberg & Oliver Chanarin, Trace fiber from Freud's couch under crossed polars with Quartz wedge compensator (#2), 2015

Digital image courtesy of the artists and Lisson Gallery, London