Issue index

Margaret Mellis, Red Flower (detail), 1958, oil on board, 39.4 x 39.1 cm. Collection of Museums Sheffield (VIS.4951).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Museums Sheffied (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.

Digital image courtesy of David Alesworth.

Jonathan Law, The Boy-Narcissus, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Dunkie and Gros Gris”, Pervyse, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 x 5 cm. Collection of the British Museum (1903,0323.1).

Digital image courtesy of Trustees of the British Museum

Francis Skidmore, Hereford screen, spandrel, photograph. Victoria & Albert Museum (E.430:4-2006)

Digital image courtesy of Victoria & Albert Museum

Martin Parr, Surrey, Epsom, England, UK, 1973

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON29514)

Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text

Digital image courtesy of the artist

David Lewis, Library Light, 2016

Bedwyr Williams, Century Egg (video still), 2015, Commissioned by the University of Cambridge North West Cambridge Development through the Habitation Artist in Residency Programme managed by Contemporary Art Society and Insite Arts

Digital image courtesy of the artist and Limoncello Gallery