Issue Index

Bill Brandt, On the Platform of an Underground Station (recto), 1940, printed ca. 1948, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Alpha, Isis, Eden, installation photograph, 1 February – 18 March 2017, multi-media installation made in collaboration with sound engineer Jack Latham.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Nicholas Tee Performing "Yellow Peril" at Manchester Art Gallery, 6 March 2019.

Digital image courtesy of Nicholas Tee.

Mary Potter, End of Daylight, 1954, oil on canvas, 74.2 x 99.6 cm. Collection of Museums Sheffield (VIS.2584).

Digital image courtesy of the estate of Mary Potter, DACS 2019. Photo courtesy of Museums Sheffield (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth and Shakila Haider, Gardens of England, Bryant's Hill, 2017, watercolour on wasli paper, 30 x 34 cm.

Digital image courtesy of David Alesworth and Shakila Haider.

Jonathan Law, Pattern, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Winkie Spaight”, Irene “Winkie” Gartside-Spaight in No Man's Land, ca.1916.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Pilgrim souvenirs and secular badges, from the collection of the British Museum, London.

Digital image courtesy of Trustees of the British Museum.

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, Installation of New Lord Mayor, Fiona Woolf, Silent Ceremony, Guildhall, City of London, England, UK, 2013

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON156681)

Simon Starling, Infestation Piece (Musselled Moore), 2006–8, steel and mussels, 162.6 x 76.2 x 76.2 cm

Digital image courtesy of the artist

David Lewis, Fan, 2016

Mikhail Karikis, Children of Unquiet (video still), 2013–14

Digital image courtesy of the artist