Issue index

Margaret Mellis, Woman and Fish II (detail), 1957, oil on board, 76.2 x 54.6 cm. Collection of Jerwood Collection (JF 217).

Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Jerwood Collection (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.

Digital image courtesy of David Alesworth.

Jonathan Law, The Boy-Narcissus, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Lt. Aertz, Gypsy and Dr Lejeune”, Elsie Knocker and two Belgian soldiers, Pervyse, 1917.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 x 5 cm. Collection of the British Museum (1903,0323.1).

Digital image courtesy of Trustees of the British Museum

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, De La Warr Pavilion, Bexhill on Sea, East Sussex, England, UK, 1978

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON28062)

Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text

Digital image courtesy of the artist

David Lewis, Stair: Passing Clouds, 2016

Patrick Staff, The Foundation (video still), 2015, Commissioned by Chisenhale Gallery, London; Spike Island, Bristol; Institute of Modern Art, Brisbane; and Contemporary Art Gallery, Vancouver. Co-produced by Chisenhale Gallery, London and Spike Island, Bristol