Article index

Search British Art Studies articles using the keyword search facility. For example, “Gainsborough” or “sculpture”.

21 Results

Introduction

Article – Catharine MacLeod, Alexander Marr

Introduction
An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Article – Alexander Marr

An Early Impresa Miniature: Man in an Armillary Sphere (1569)
Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Article – Christina Faraday

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World
Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Article – Karin Leonhard

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting
Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

Article – William Aslet

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou
A Portrait of the Miniaturist as a Young Man:
Nicholas Hilliard and the Painters of 1560s London

Article – Edward Town

A Portrait of the Miniaturist as a Young Man: Nicholas Hilliard and the Painters of 1560s London
Isaac Oliver and the Essex Circle

Article – Catharine MacLeod

Isaac Oliver and the Essex Circle
Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

Article – Polly Saltmarsh

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature
A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Article – Annemie Leemans

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public
Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

Article – Christine Slottved Kimbriel, Paola Ricciardi

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver
“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

Article – Helen Pierce

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England
The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Article – Anna Cooper, Martin Myrone

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)
Bert Hardy: Exercises with Photography and Film

Article – Lynda Nead, John Wyver

Bert Hardy: Exercises with Photography and Film
Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Article – Matthew Beaumont

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus
Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Article – Aviva Burnstock, Sarah MacDougall

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18
Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

Article – David Hansen

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture
“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

Article – Samuel Bibby

“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain
“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

Article – Nathan O'Donnell

“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London
The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

Article – Kirsty Sinclair Dootson

The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

Article – Catherine Roach

The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London
“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Article – Katherine Fein

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

21 Results

Introduction

An Early Impresa Miniature: Man in an Armillary Sphere (1569)

Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

A Portrait of the Miniaturist as a Young Man:Nicholas Hilliard and the Painters of 1560s London

Isaac Oliver and the Essex Circle

Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

Bert Hardy: Exercises with Photography and Film

Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

“The Assemblage of Specimens”:The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:Jack B. Yeats’s Reception in London

The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

A Portrait of the Miniaturist as a Young Man:
Nicholas Hilliard and the Painters of 1560s London

“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting