Issue Index

Angela Camacho and Adriana Buzman, Tinku Warmi, film still.

Digital image courtesy of Angela Camacho.

Left portrait: Isaac Oliver, Ludovick Stuart, 2nd Duke of Lennox, later Duke of Richmond, ca. 1605, watercolour on vellum, laid onto table-book leaf, 5.7 x 4.4 cm. Collection of National Portrait Gallery, London (NPG 3063); Right portrait: Isaac Oliver, Ludovick Stuart, 2nd Duke of Lennox, later Duke of Richmond, ca. 1603, watercolour on vellum, laid on card, 4.9 x 4 cm. Collection of Fitzwilliam Museum, Cambridge (FM 3869).

Digital image courtesy of National Portrait Gallery, London (All rights reserved); Fitzwilliam Museum, Cambridge (All rights reserved).

Bill Brandt, A Group of Coal Searchers near Heworth, Tyneside, Pithead Train in the Distance (recto), 1937, printed ca. 1966, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Barking, 2019.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Bettina Fung, Circle Loop, 2019.

Digital image courtesy of Bettina Fung.

Mary Potter, End of Daylight, 1954, oil on canvas, 74.2 x 99.6 cm. Collection of Museums Sheffield (VIS.2584).

Digital image courtesy of the estate of Mary Potter, DACS 2019. Photo courtesy of Museums Sheffield (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth and Shakila Haider, Gardens of England, Bryant's Hill, 2017, watercolour on wasli paper, 30 x 34 cm.

Digital image courtesy of David Alesworth and Shakila Haider.

Jonathan Law, Pattern, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Helen Gleason, Pervyse 1914”, Gleason, posing with a snapshot camera, met Chisholm while working for Dr Munro's Flying Ambulance Corps, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, MS 8932, depicting the Zodiac Man, ca. 1415–20, England, paint and ink on parchment, 13 x 12 cm. Collection of the Wellcome Library, London.

Digital image courtesy of Wellcome Library.

Francis Skidmore, Wrought Iron Door Fitting, Coventry, 1865-70, photograph. Victoria & Albert Museum (E.416-2006)

Digital image courtesy of Victoria & Albert Museum

Martin Parr, Weymouth, England, UK, from 'Think of England', 2000

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON19547)

Simon Starling, Infestation Piece (Musselled Moore), 2006–8, steel and mussels, 162.6 x 76.2 x 76.2 cm

Digital image courtesy of the artist

David Lewis, Library Light, 2016

Adam Broomberg & Oliver Chanarin, Trace fiber from Freud's couch under crossed polars with Quartz wedge compensator (#2), 2015

Digital image courtesy of the artists and Lisson Gallery, London