Issue Index
British Art Studies provides an innovative space for new peer-reviewed scholarship on all aspects of British art, architecture, and visual culture in their most diverse and international contexts. It is co-published by the Paul Mellon Centre for Studies in British Art, London, and the Yale Center for British Art, New Haven, and reflects their dynamic research cultures.
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Issue 19 – February 2021
Victor Ehikhamenor, My Last Dance as King Before Sir Harry Lawson’s Army Arrive (detail), 2017, rosary beads and thread on lace fabric, 126 x 75 in.
Digital image courtesy of Victor Ehikhamenor (all rights reserved).
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Issue 18 – November 2020
Sonia E. Barrett, Table No. 6, 2013, wood and metal.
Digital image courtesy of Bruno Weiss.
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Issue 17 – September 2020
Elizabethan and Jacobean Miniature Paintings in Context
Isaac Oliver, Sir Edward Herbert, later 1st Lord Herbert of Cherbury (detail of visible light image), ca. 1613-14, 18.1 x 22.9 cm. Powis Castle, National Trust (NT 1183954).
Digital image courtesy of Hamilton Kerr Institute.
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Issue 16 – June 2020
Bill Brandt, Family Supper (recto), 1937, printed ca. 1943, photographic print.
Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.
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Issue 15 – February 2020
Laura Grace Ford, Server Farms Pines, 2019.
Digital image courtesy of Laura Grace Ford.
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Issue 14 – November 2019
James Richards, on the side of the disease and not the cure, 2019.
Digital image courtesy of James Richards.
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Issue 13 – September 2019
London, Asia, Exhibitions, Histories
Nicholas Tee Performing "Yellow Peril" at Manchester Art Gallery, 6 March 2019.
Digital image courtesy of Nicholas Tee.
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Issue 12 – May 2019
Margaret Mellis, Woman and Fish II (detail), 1957, oil on board, 76.2 x 54.6 cm. Collection of Jerwood Collection (JF 217).
Digital image courtesy of the estate of Margaret Mellis. Photo courtesy of Jerwood Collection (All rights reserved).
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Issue 11 – March 2019
Theatres of War: Experimental Performance in London, 1914–1918 and Beyond
Film still, The Ballet of the Nations, 2018.
Digital image courtesy of Impermanence.
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Issue 10 – November 2018
Landscape Now
David Alesworth, Drawings in Time (Engineers Carpet) (detail), 9 –12 February 2018 at 4.30 pm, series of 4 aerial photograph of site-specific drawing, archival gicleé print on hahnemuhle photo rag paper, 40.5 x 61 cm sheet size.
Digital image courtesy of Pioneer Art Residency (2018) Khushab, in collaboration with Canvas Gallery, Karachi.
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Issue 9 – August 2018
Jonathan Law, The Boy-Narcissus, excerpt from film, 2018.
Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.
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Issue 8 – June 2018
Mairi Chisholm, “Winkie Spaight”, Irene “Winkie” Gartside-Spaight in No Man's Land, ca.1916.
Digital image courtesy of National Library of Scotland.
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Issue 7 – November 2017
Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.
Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole
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Issue 6 – June 2017
Invention and Imagination in British Art and Architecture, 600–1500
Pilgrim souvenirs and secular badges, from the collection of the British Museum, London.
Digital image courtesy of Trustees of the British Museum.
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Issue 5 – April 2017
Francis Skidmore, Wrought Iron Door Fitting, Coventry, 1865-70, photograph. Victoria & Albert Museum (E.416-2006)
Digital image courtesy of Victoria & Albert Museum
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Issue 4 – November 2016
Martin Parr, Weymouth, England, UK, from 'Think of England', 2000
Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON19547)
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Issue 3 – July 2016
British Sculpture Abroad, 1945 – 2000
Gerard Byrne, 1984 and Beyond (production still), 2005–07, part of a multimedia installation featuring video, photography and text
Digital image courtesy of the artist
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Issue 2 – April 2016
David Lewis, Gallery Shutters, 2016
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Issue 1 – November 2015
Patrick Staff, The Foundation (video still), 2015, Commissioned by Chisenhale Gallery, London; Spike Island, Bristol; Institute of Modern Art, Brisbane; and Contemporary Art Gallery, Vancouver. Co-produced by Chisenhale Gallery, London and Spike Island, Bristol