Issue 1

Editorial

Editorial – British Art Studies Editorial Group

Editorial
There's No Such Thing as British Art

Conversation Piece – Richard Johns

There's No Such Thing as British Art
“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

Article – Georgina Cole

“A beautiful assemblage of an interesting nature” : Gainsborough’s <i>Charity Relieving Distress</i> and the Reconciliation of High and Low Art
Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

Article – Giulia Smith

Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961
Haptic Blackness: The Double Life of an 18th-century Bust

One Object – Cyra Levenson, Chi-ming Yang, Ken Gonzales-Day

Haptic Blackness: The Double Life of an 18th-century Bust
Arts and Crafts Painting: The Political Agency of Things

Article – Morna O'Neill

Arts and Crafts Painting: The Political Agency of Things
Deakin: Double Exposures

Look First – Paul Rousseau, James Boaden, Jonathan Law

Deakin: Double Exposures
Pregnant Wit: ingegno in Renaissance England

Article – Alexander Marr

Pregnant Wit: <i>ingegno</i> in Renaissance England
Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

Article – Kara Fiedorek

Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide
Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

Article – Catherine Spencer

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s
British Art Show 8

Cover Collaboration – Roger Malbert

British Art Show 8

Editorial Editorial British Art Studies Editorial Group

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Title: British Art Studies

ISSN: 2058-5462

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art

Journal DOI: https://doi.org/10.17658/issn.2058-5462/issue-01

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Issue 1 – November 2015

Editorial

There's No Such Thing as British Art

“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

Haptic Blackness: The Double Life of an 18th-century Bust

Arts and Crafts Painting: The Political Agency of Things

Deakin: Double Exposures

Pregnant Wit: ingegno in Renaissance England

Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

British Art Show 8

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