John Singleton Copley (1738–1815) is known for his painted portraits of colonial Americans (oils, pastels, and miniatures) and his English history pictures, but the relationship between Copley and prints is relatively obscure. Yet he was involved with prints throughout his career and beyond, from his earliest exposure to art in the Boston studio of his stepfather to the sale four years after his death of his collection of around 1,125 prints by and after old master and contemporary artists, and many engravings after his own paintings.
About the authors
Jules David Prown, a graduate of Lafayette College and of the Winterthur Program in Early American Culture (University of Delaware), received his doctorate from Harvard University. He has been a member of the faculty of the Department of the History of Art at Yale University since 1961 and is currently the Paul Mellon Professor Emeritus of the History of Art. During this period he has also been Curator of American Art at the Yale University Art Gallery and the founding Director of the Yale Center for British Art. He has received numerous professional and other honours including the Distinguished Teaching of Art History Award from the College Art Association of America (1995), Yale’s William Clyde DeVane Award for teaching and scholarship, and Distinguished Scholar at the 2010 College Art Association Annual Conference.
Director of Studies at the Paul Mellon Centre
- 04 April 2016
- Audio-Visual Conversation
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- Not Peer Reviewed
- CC BY-NC International 4.0
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- Cite as
- Jules Prown, Mark Hallett, "John Singleton Copley and the World of Prints", British Art Studies, Issue 2, https://doi.org/10.17658/issn.2058-5462/issue-02/jprown