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Abstract

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In their later medieval heyday, choir screens were pivotal centerpieces and focalisers of their sacred environments. Embellished with figural imagery; outfitted with platforms, pulpits, and altars; and rendered visually porous by the presence of large doors and windows, screens at once defined liturgical zones and provided a unifying bridge between them. This presentation offers an analysis of two extant screens: the early thirteenth-century structure in the abbey church of St Maria in Vezzolano, and the late fifteenth-century example in the church of St Stephen in Breisach. Though very different in format and decoration, both screens act as mediators – physical, visual, and conceptual – between the functional spaces and pictorial programmes in the apses (eastern ends) and exterior thresholds (western ends) of their respective churches. This presentation seeks to reveal the dynamic, mutually reinforcing relations among choir screens, the spaces they inhabited, and the liturgical objects that animated those zones.

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Figure 1.
Jacqueline E. Jung, The Medieval Choir Screen in Sacred Space: The Dynamic Interiors of Vezzolano and Breisach, video essay, 2017.


Recorded and produced by Jude Breidenbach / Yale Broadcast Studios

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Acknowledgements

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Travel to the sites discussed here was made possible with grants from the Griswold Fellowship Fund at Yale University. An early version of this presentation was given at a workshop of the Bild/Evidenz research group at the Freie Universität in Berlin in summer 2015, and thanks go above all to Reindert Falkenburg for the kind invitation and many helpful remarks at (and beyond) that event. The author is also grateful to Gregory Bryda for helping her think through issues of materiality and vision with regard to altarpieces, and to Mitchell Merback for the great travel adventure that brought us to Vezzolano in the summer of 2013. Additional thanks go to the editorial staff at British Art Studies for helping this piece take shape, and above all to Jude Breidenbach of Yale Broadcast Studios for his patient and expert fine-tuning of the multimedia presentation.

About the author

  • Jacqueline Jung

    Jacqueline E. Jung is Associate Professor in the Department of History of Art at Yale University, where she teaches on medieval sculpture, architecture, and images in various media. Her book The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca. 1200-1400 (Cambridge University Press, 2013) won the PROSE Award for Art History and Criticism from the Association of American Publishers and the John Nicholas Brown Prize from the Medieval Academy of America. Her current book project, Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture, will be published by Yale University Press.

Bibliography

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Jung, Jacqueline E. “Moving Pictures on the Gothic Screen.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, ed. Spike Bucklow, Richard Marks, and Lucy Wrapson. Woodbridge: Boydell, forthcoming, June 2017. 

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Rava, Antonio. “Le jubé de Vezzolano et les reliefs antélamiques du portail de Saint-André à Vercelli.” In La couleur et la pierre: Polychromie des portails gothiques. Actes du colloque Amiens, 12–14 octobre 2000, ed. Denis Verret and Delphine Steyaert. Amiens: Picard, 2002, 163–74. 

Salerno, Paola, ed. Santa Maria di Vezzolano: Il Pontile. Ricerche e restauri. Turin: Umberto Allemandi, 1997.

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Imprint

Author
Jacqueline E. Jung
Date
10 April 2017
Category
One Object
Review status
Peer Reviewed (Editorial Group)
Licence
CC BY-NC International 4.0
Downloads
PDF format
Article DOI
https://doi.org/10.17658/issn.2058-5462/issue-05/jjung
Cite as
Jacqueline E. Jung, "The Medieval Choir Screen in Sacred Space:
The Dynamic Interiors of Vezzolano and Breisach", British Art Studies, Issue 5, https://doi.org/10.17658/issn.2058-5462/issue-05/jjung