Issue Index

Victor Ehikhamenor, I Am Ogiso, The King from Heaven (detail), 2017, rosary beads and thread on lace textile, 103 x 69 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Angela Chan, Moss Rain Paradox (project preview), video still, 2020.

Digital image courtesy of Angela Chan (CC BY-NC 4.0).

Left portrait: Isaac Oliver, Ludovick Stuart, 2nd Duke of Lennox, later Duke of Richmond, ca. 1605, watercolour on vellum, laid onto table-book leaf, 5.7 x 4.4 cm. Collection of National Portrait Gallery, London (NPG 3063); Right portrait: Isaac Oliver, Ludovick Stuart, 2nd Duke of Lennox, later Duke of Richmond, ca. 1603, watercolour on vellum, laid on card, 4.9 x 4 cm. Collection of Fitzwilliam Museum, Cambridge (FM 3869).

Digital image courtesy of National Portrait Gallery, London (All rights reserved); Fitzwilliam Museum, Cambridge (All rights reserved).

Bill Brandt, Stonehenge Under Snow (recto), 1947, printed later, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Alpha, Isis, Eden, installation photograph, 1 February – 18 March 2017, multi-media installation made in collaboration with sound engineer Jack Latham.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Rubber shavings made during Bettina Fung's performance of "Towards All or Nothing (In Memory of Li Yuan-chia)" at Manchester Art Gallery, 6 March 2019.

Digital image courtesy of Bettina Fung.

Avinash Chandra, Drawing 3 (detail), 1963, watercolour, 57.1 x 66 cm. Collection of Museums Sheffield (VIS.3419).

Digital image courtesy of the estate of Avinash Chandra. Photo courtesy of Museums Sheffield (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth, Unter den Linden, 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint.

Digital image courtesy of David Alesworth.

Jonathan Law, The Boy-Narcissus, still from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Helen Gleason, Pervyse 1914”, Gleason, posing with a snapshot camera, met Chisholm while working for Dr Munro's Flying Ambulance Corps, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, MS 8932, depicting the Zodiac Man, ca. 1415–20, England, paint and ink on parchment, 13 x 12 cm. Collection of the Wellcome Library, London.

Digital image courtesy of Wellcome Library.

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).

Digital image courtesy of Justin Underhill

Martin Parr, Installation of New Lord Mayor, Fiona Woolf, Silent Ceremony, Guildhall, City of London, England, UK, 2013

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON156681)

Simon Starling, Infestation Piece (Musselled Moore), 2006–8, steel and mussels, 162.6 x 76.2 x 76.2 cm

Digital image courtesy of the artist

David Lewis, Gallery Shutters, 2016

Bedwyr Williams, Century Egg (video still), 2015, Commissioned by the University of Cambridge North West Cambridge Development through the Habitation Artist in Residency Programme managed by Contemporary Art Society and Insite Arts

Digital image courtesy of the artist and Limoncello Gallery