Issue Index

Jacqueline Bishop, The Market Woman's Story – 11, 2022, vitrified porcelain, 23.5 × 30 cm. Fabricated by Emma Price.

Digital image courtesy of Jacqueline Bishop / Photograph by Jenny Harper (all rights reserved).

James McNeill Whistler, Brown and Silver: Old Battersea Bridge (detail), 1862–1865, oil on canvas mounted on masonite, 63.8 × 76 cm. Collection of the Addison Gallery of American Art (1928.55).

Digital image courtesy of the Addison Gallery of American Art / Bridgeman Images (all rights reserved).

Michelle Erickson, Cauldron, from the series Ply-MYTH, 2019, wheel thrown with lifecast shell and industrial artifacts, made from indigenous North Carolina woodfired stoneware with copper wash, 16 × 19.5 in. Collection of the artist.

Digital image courtesy of the artist / Photograph by Robert Hunter (all rights reserved).

Rita Duffy, Soften the Border, 2017, installation on Blacklion-Belcoo bridge, dimensions variable.

Digital image courtesy of Rita Duffy (all rights reserved).

Victor Ehikhamenor, My Last Dance as King Before Sir Harry Lawson’s Army Arrive (detail), 2017, rosary beads and thread on lace fabric, 126 × 75 in.

Digital image courtesy of Victor Ehikhamenor (all rights reserved).

Sonia E. Barrett, Table No. 6, 2013, wood and metal.

Digital image courtesy of Bruno Weiss.

Isaac Oliver, Ludovic Stuart, 2nd Duke of Lennox and Duke of Richmond (photo-micrograph), circa 1603, 4.9 × 4 cm. Fitzwilliam Museum, Cambridge (FM 3869).

Digital image courtesy of Fitzwilliam Museum.

Bill Brandt, Family Supper (recto), 1937, printed circa 1943, photographic print.

Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon.

Laura Grace Ford, Untitled Collage, 2016.

Digital image courtesy of Laura Grace Ford.

James Richards, on the side of the disease and not the cure, 2019.

Digital image courtesy of James Richards.

Bettina Fung, Circle Loop, 2019.

Digital image courtesy of Bettina Fung.

Avinash Chandra, Drawing 3 (detail), 1963, watercolour, 57.1 × 66 cm. Collection of Museums Sheffield (VIS.3419).

Digital image courtesy of the estate of Avinash Chandra. Photo courtesy of Museums Sheffield (All rights reserved).

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

David Alesworth and Shakila Haider, Gardens of England, Bryant's Hill, 2017, watercolour on wasli paper, 30 × 34 cm.

Digital image courtesy of David Alesworth and Shakila Haider.

Jonathan Law, The Boy-Narcissus, excerpt from film, 2018.

Digital image courtesy of Paul Mellon Centre for Studies in British Art with support from the staff of Leighton House Museum, The Royal Borough of Kensington and Chelsea.

Mairi Chisholm, “Helen Gleason, Pervyse 1914”, Gleason, posing with a snapshot camera, met Chisholm while working for Dr Munro's Flying Ambulance Corps, undated.

Digital image courtesy of National Library of Scotland.

Clare Twomey, Made in China, ceramic vessels, 2016. Installed at the Yale Center for British Art, New Haven, 2017.

Digital image courtesy of Yale Center for British Art | Photo: Richard Caspole

Unknown maker, Ivory Staff Terminal from Alcester, 11th Century, ivory, 14 × 5 cm. Collection of the British Museum (1903,0323.1).

Digital image courtesy of Trustees of the British Museum

Francis Skidmore, Hereford screen, spandrel, photograph. Victoria and Albert Museum, London (E.430:4-2006)

Digital image courtesy of Victoria & Albert Museum

Martin Parr, New Brighton, England, UK, from 'The Last Resort', 1983–85

Digital image courtesy of Martin Parr / © Martin Parr / Magnum Photos (LON6977)

Simon Starling, Project for a Masquerade (Hiroshima) (film still), 2010–11. 16 mm film transferred to digital (25 minutes, 45 seconds), wooden masks, cast bronze masks, bowler hat, metals stands, suspended mirror, suspended screen, HD projector, media player, and speakers. Dimensions variable

Digital image courtesy of the artist

David Lewis, Gallery Shutters, 2016

Mikhail Karikis, Children of Unquiet (video still), 2013–14

Digital image courtesy of the artist