Article index

208 Results

• Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

  Article – Sam Smiles

  Social and Political Allusions in Turner’s <em>Kirkby Lonsdale Churchyard</em>
• Masculinity and Isolation in the Self-Portraits of L.S. Lowry

  Article – Ella Nixon

  Masculinity and Isolation in the Self-Portraits of L.S. Lowry
• Sailors’ Valentines: Shell Mosaics from Victorian Barbados

  Article – Molly Duggins

  Sailors’ Valentines: Shell Mosaics from Victorian Barbados
• Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance

  Article – Emma Bond

  Sugar Time: Reactivating Memories of Scottish Empire through Contemporary Art and Performance
• Ancient Desires

  Cover Collaboration – Charwei Tsai, Rosie Cooper, Sarah Victoria Turner

  Ancient Desires
• Oil Aesthetics and Imperial Violence

  Cover Collaboration – Jala Wahid, Edwin Coomasaru

  Oil Aesthetics and Imperial Violence
• Monuments Must Fall

  Conversation Piece – Edwin Coomasaru

  Monuments Must Fall
• Cutting and Pasting: The Print Room at Woodhall Park

  Article – Kate Retford

  Cutting and Pasting: The Print Room at Woodhall Park
• Is the Painting a Grave?
  John Everett Millais and the Queer Refusals of Victorian Art

  Article – Ariel Kline

  Is the Painting a Grave?<br>John Everett Millais and the Queer Refusals of Victorian Art
• The Rise and Fall of the “Clerks”: British Art History, 1950–1970

  Article – Hans C. Hönes

  The Rise and Fall of the “Clerks”: British Art History, 1950–1970
• Do Sleeping Shepherds Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism

  Article – Melissa L. Gustin

  Do <i>Sleeping Shepherds</i> Dream of 3D-Printed Sheep: John Gibson, Oliver Laric, and Digital Neoclassicism
• The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital

  Article – Sam Gathercole

  The Expressive Unit of Constructionism: Kenneth Martin at Whittington Hospital
• Greenham Common's Archival Webs: Towards a Virtual Feminist Museum

  Animating the Archive – Alexandra Kokoli

  Greenham Common's Archival Webs: Towards a Virtual Feminist Museum
• The Market Woman’s Story

  Cover Collaboration – Jacqueline Bishop

  <i>The Market Woman’s Story</i>
• Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

  Article – Elizabeth Fisher

  Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics
• Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

  Article – Luke Gartlan

  Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography
• Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

  Article – Margaret Iversen

  Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley
• The Black Prince, the Trinity, and the Art of Commemoration

  Article – Sophie Kelly

  The Black Prince, the Trinity, and the Art of Commemoration
• Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

  Article – Wendy McGlashan

  Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh
• Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

  Article – Margaret J. Schmitz

  Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
• Introduction: “Watery Relations”

  Article – Shalini Le Gall, Justin McCann

  Introduction: “Watery Relations”
• “The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022

  Article – Aleema Gray, Danielle Thom

  “The Surrounding Great Work”: Memory, Erasure, and Curating the Built Environment of the West India Docks, 1802–2022
• Ships and Souvenirs: Itineraries of the Golden Jubilee

  Article – Shalini Le Gall

  Ships and Souvenirs: Itineraries of the Golden Jubilee
• Printed Ecologies: William Morris and the Rural Thames

  Article – Sarah Mead Leonard

  Printed Ecologies: William Morris and the Rural Thames
• “The River Seemed Almost Turned to Blood”: The Tooley Street Fire

  Article – Nancy Rose Marshall

  “The River Seemed Almost Turned to Blood”: The Tooley Street Fire
• Women in Whistler’s Images of Chelsea and the Thames

  Article – Patricia de Montfort

  Women in Whistler’s Images of Chelsea and the Thames
• Whistler and Battersea: The Aesthetics of Erasure and Redevelopment

  Article – Jon Newman

  Whistler and Battersea: The Aesthetics of Erasure and Redevelopment
• “Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field

  Article – Jennifer Tucker

  “Over London at Night”: Gasworks, Ballooning, and the Visual Gas Field
• Unhomely: Redefining the British Decorative Arts

  Introduction – Iris Moon

  Unhomely: Redefining the British Decorative Arts
• England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s Between the Acts

  Article – Sarah Bochicchio

  England Am I? Elizabethan Clothing, Gender, and Crisis in Virginia Woolf’s <em>Between the Acts</em>
• Microorganisms, Microscopes, and Victorian Design Theories

  Article – Ariane Varela Braga

  Microorganisms, Microscopes, and Victorian Design Theories
• Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715

  Article – Max Bryant

  Tarnished Silver: Interpreting the Material Culture of the Atlantic Slave Trade Negotiations of 1715
• Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

  Article – R. Ruthie Dibble, Joseph Mizhakii Zordan

  Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds
• Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

  Article – Patricia F. Ferguson

  Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”
• Classical Histories, Colonial Objects: The Specimen Table Across Time and Space

  Article – Freya Gowrley

  Classical Histories, Colonial Objects: The Specimen Table Across Time and Space
• Serving as Ornament:
  The Representation of African People in Early Modern British Interiors and Gardens

  Article – Hannah Lee

  Serving as Ornament:<br>The Representation of African People in Early Modern British Interiors and Gardens
• Ruth Ellis’s Suit

  Article – Lynda Nead

  Ruth Ellis’s Suit
• Colonial Trash to Island Treasure: The Chaney of St. Croix

  Article – Jessica Priebe

  Colonial Trash to Island Treasure: The Chaney of St. Croix
• In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London

  Article – Ianna Recco

  In the Flesh at the Heart of Empire: Life-Likeness in Wax Representations of the 1762 Cherokee Delegation in London
• Wild Porcelain

  Cover Collaboration – Michelle Erickson

  <i>Wild Porcelain</i>
• The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

  One Object – Iris Moon

  The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art
• Unpacking Wedgwood: An Interview with Roberto Visani

  Interview – Caitlin Meehye Beach, Roberto Visani

  Unpacking Wedgwood: An Interview with Roberto Visani
• What’s in a Label?
  Revising Narratives of
  the Decorative Arts in
  Museum Displays

  Virtual Exhibition – Iris Moon

  What’s in a Label?<br>Revising Narratives of<br>the Decorative Arts in<br>Museum Displays
• Another Crossing: Artists Revisit the Mayflower Voyage

  In the Artist’s Words – Glenn Adamson

  <i>Another Crossing: Artists Revisit the Mayflower Voyage</i>
• In Sparkling Company:
  Presenting Eighteenth-Century
  Britain in Western New York State

  Look First – Christopher Maxwell

  <i>In Sparkling Company</i>:<br>Presenting Eighteenth-Century<br>Britain in Western New York State
• British Art after Brexit

  Conversation Piece

  British Art after Brexit
• Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)

  Article – Liz Bruchet, Ming Tiampo

  Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)
• Slade, London, Asia: Animating the Archive (Part 1)

  Animating the Archive – Liz Bruchet, Ming Tiampo

  Slade, London, Asia: Animating the Archive (Part 1)
• “Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn

  Article – Jonathan P. Watts

  “Everything I Learnt About Activism I Learnt in King’s Lynn”: Gustav Metzger’s Formative Years in King’s Lynn
• Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji

  Article – Allison K. Young

  Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji
• Victorian Anatomical Atlases and Their Many Lives (and Deaths)

  One Object – Keren Rosa Hammerschlag

  Victorian Anatomical Atlases and Their Many Lives (and Deaths)
• Millais’s Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere

  Article – Mark A. Cheetham

  Millais’s Metapicture: <em>The North-West Passage</em> as Distillate of Arctic Voyaging from the Anglosphere
• John McHale, Marshall McLuhan, and the Collage “Ikon”

  Article – Rachel Stratton

  John McHale, Marshall McLuhan, and the Collage “Ikon”
• Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture

  Article – Rebecca Whiteley

  Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture
• Necrography: Death-Writing in the Colonial Museum

  Conversation Piece – Dan Hicks

  Necrography: Death-Writing in the Colonial Museum
• Royal Religion Series

  Cover Collaboration – Victor Ehikhamenor

  Royal Religion Series
• Women in Fur: Empire, Power, and Play in a Victorian Photography Album

  Article – Sarah Parsons

  Women in Fur: Empire, Power, and Play in a Victorian Photography Album
• The Lost Cause of British Constructionism: A Two-Act Tragedy

  Article – Sam Gathercole

  The Lost Cause of British Constructionism: A Two-Act Tragedy
• Aubrey Beardsley in the Russian “World of Art”

  Article – Sasha Dovzhyk

  Aubrey Beardsley in the Russian “World of Art”
• Making a Case: Daguerreotypes

  Article – Steve Edwards

  Making a Case: Daguerreotypes
• The Arts, Environmental Justice, and the Ecological Crisis

  Conversation Piece – Sria Chatterjee

  The Arts, Environmental Justice, and the Ecological Crisis
• Climate and Culture Beyond Borders

  Cover Collaboration – Worm: art + ecology

  Climate and Culture Beyond Borders
• Moss Rain Paradox:
  Refocusing Climate Framings

  Cover Collaboration – Angela Chan

  Moss Rain Paradox:<br>Refocusing Climate Framings
• Beyond Interspecies Objectification

  Cover Collaboration – Sonia E. Barrett

  Beyond Interspecies Objectification
• Wang Chau Village: (Non-)Indigenous Wisdom, Amidst Eviction

  Cover Collaboration – Michael Leung

  Wang Chau Village: (Non-)Indigenous Wisdom, Amidst Eviction
• DIÁSPORAS QUE LUCHAN
  (Diasporas that Fight)

  Cover Collaboration – The Bonita Chola (aka Angela Camacho)

  DIÁSPORAS QUE LUCHAN<br>(Diasporas that Fight)
• The Ecological Imperative: Stopping Ecocide

  Cover Collaboration – INTERPRT

  The Ecological Imperative: Stopping Ecocide
• Introduction

  Article – Catharine MacLeod, Alexander Marr

  Introduction
• An Early Impresa Miniature: Man in an Armillary Sphere (1569)

  Article – Alexander Marr

  An Early <em>Impresa</em> Miniature: <em>Man in an Armillary Sphere</em> (1569)
• Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World

  Article – Christina J. Faraday

  Lively Limning: Presence in Portrait Miniatures and John White’s Images of the New World
• Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting

  Article – Karin Leonhard

  Game of Thrones: Early Modern Playing Cards and Portrait Miniature Painting
• Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou

  Article – William Aslet

  Negotiating a Courtship between Courts: Hilliard’s Prayer Book Portraits of Queen Elizabeth and the Duc d’Anjou
• A Portrait of the Miniaturist as a Young Man:
  Nicholas Hilliard and the Painters of 1560s London

  Article – Edward Town

  A Portrait of the Miniaturist as a Young Man:<br>Nicholas Hilliard and the Painters of 1560s London
• Isaac Oliver and the Essex Circle

  Article – Catharine MacLeod

  Isaac Oliver and the Essex Circle
• Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature

  Article – Polly Saltmarsh

  <em>Portrait of an Unknown Lady</em>: Technical Analysis of an Early Tudor Miniature
• A Very Proper Treatise: Specialist Knowledge for a Non-Specialist Public

  Article – Annemie Leemans

  <em>A Very Proper Treatise</em>: Specialist Knowledge for a Non-Specialist Public
• Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

  Article – Christine Slottved Kimbriel, Paola Ricciardi

  Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• Luxury and Crisis: Redefining the British Decorative Arts

  Conversation Piece – Iris Moon

  Luxury and Crisis: Redefining the British Decorative Arts
• “The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England

  Article – Helen Pierce

  “The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England
• The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)

  Article – Anna Cooper, Martin Myrone

  The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s <i>Disgrace of Wolsey</i> (1814)
• Bill Brandt: Photography and the Printed Page

  Cover Collaboration – Martina Droth, Paul Messier, Richard Caspole, Robert Hixon

  Bill Brandt: Photography and the Printed Page
• New Approaches to St Stephen’s Chapel, Palace of Westminster

  One Object – Tim Ayers, John Cooper

  New Approaches to St Stephen’s Chapel, Palace of Westminster
• A Visionary Sense of London

  Cover Collaboration – Laura Grace Ford

  A Visionary Sense of London
• Bert Hardy: Exercises with Photography and Film

  Article – Lynda Nead, John Wyver

  Bert Hardy: Exercises with Photography and Film
• Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America

  Objects in Motion Article – Sria Chatterjee

  Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America
• Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus

  Article – Matthew Beaumont

  Reason Dazzled: The All-Seeing and the Unseeing in Turner's <em>Regulus</em>
• Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

  Article – Aviva Burnstock, Sarah MacDougall

  Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18
• Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

  Article – David Hansen

  Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture
• on the side of the disease and not the cure

  Cover Collaboration – James Richards, Sarah Perks

  <em>on the side of the disease and not the cure</em>
• “The Assemblage of Specimens”:
  The Magazine as Catalogue in 1970s Britain

  Article – Samuel Bibby

  “The Assemblage of Specimens”:<br>The Magazine as Catalogue in 1970s Britain
• “Irrigated Neither by the Seine Nor by the Thames”:
  Jack B. Yeats’s Reception in London

  Article – Nathan O'Donnell

  “Irrigated Neither by the Seine Nor by the Thames”:<br>Jack B. Yeats’s Reception in London
• The Texture of Capitalism:
  Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

  Article – Kirsty Sinclair Dootson

  The Texture of Capitalism:<br>Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
• The Ecosystem of Exhibitions:
  Venues, Artists, and Audiences in Early Nineteenth-Century London

  Article – Catherine Roach

  The Ecosystem of Exhibitions:<br>Venues, Artists, and Audiences in Early Nineteenth-Century London
• “The Sense of Nearness”:
  Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

  Article – Katherine Fein

  “The Sense of Nearness”: <br>Harriet Hosmer’s <em>Clasped Hands</em> and the Materials and Bodies of Nineteenth-Century Life Casting
• London, Asia, Exhibitions, Histories

  Editorial – Hammad Nasar, Sarah Victoria Turner

  London, Asia, Exhibitions, Histories
• Exhibitions, Histories: Showing, Telling, Seeing and Beyond

  Introduction – Sonal Khullar

  Exhibitions, Histories: <i>Showing, Telling, Seeing</i> and Beyond
• Why Exhibition Histories?

  Conversation Piece – Saloni Mathur

  Why Exhibition Histories?
• Exhibitions in Print

  Interview – Sharmini Pereira, Sneha Ragavan

  Exhibitions in Print
• Curating the Cosmopolis

  Interview – Iwona Blazwick, Rattanamol Singh Johal

  Curating the Cosmopolis
• Unlearning the Modern

  Interview – David Elliott, Hilary Floe

  Unlearning the Modern
• Instant Malaysia: Imagining a Nation at the Commonwealth Institute

  Article – Kelvin Chuah

  Instant Malaysia: Imagining a Nation at the Commonwealth Institute
• “A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

  Article – Sarena Abdullah

  “A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute
• Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

  Article – Claire Wintle

  Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute
• Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

  Article – Lotte Hoek, Sanjukta Sunderason

  Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London
• “Exciting a Wider Interest in the Art of India”
  The 1931 Burlington Fine Arts Club Exhibition

  Article – Brinda Kumar

  “Exciting a Wider Interest in the Art of India”<br>The 1931 Burlington Fine Arts Club Exhibition
• Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

  Article – Alice Correia

  Researching Exhibitions of South Asian Women Artists in Britain in the 1980s
• Taking Space for Asian Diaspora Narratives

  Cover Collaboration – Annie Jael Kwan

  Taking Space for Asian Diaspora Narratives
• The Kitchen Sink Too

  Cover Collaboration – Abi Shapiro

  The Kitchen Sink Too
• 1964: A Year of Exhibitions

  Animating the Archive – Stephen Bann

  1964: A Year of Exhibitions
• Transatlantic Transactions and the Domestic Market:
  Agnew’s Stock Books in 1894–1895

  Objects in Motion Article – Barbara Pezzini, Alan Crookham

  Transatlantic Transactions and the Domestic Market:<br>Agnew’s Stock Books in 1894–1895
• Letters from the Home Front:
  The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945

  Article – Sophie Hatchwell

  Letters from the Home Front:<br>The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945
• Cumbrian Cosmopolitanisms:
  Li Yuan-chia and Friends

  Article – Hammad Nasar

  Cumbrian Cosmopolitanisms:<br>Li Yuan-chia and Friends
• Whatever Happened to Delia Derbyshire?
  Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity

  Article – David Butler

  Whatever Happened to Delia Derbyshire?<br>Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity
• Delia Derbyshire: The Myths and the Legendary Tapes

  Film – Caroline Catz

  Delia Derbyshire: The Myths and the Legendary Tapes
• Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

  Introduction – Grace Brockington

  Theatres of War: Experimental Performance in London, 1914–1918 and Beyond
• The Ballet of the Nations

  Film – Impermanence

  <i>The Ballet of the Nations</i>
• Introduction

  Editorial – Mark Hallett

  Introduction
• Landscape Then and Now

  Article – Tim Barringer

  Landscape Then and Now
• Fire-Stick Picturesque:
  Landscape Art and Early Colonial Tasmania

  Article – Julia Lum

  Fire-Stick Picturesque:<br>Landscape Art and Early Colonial Tasmania
• Landscape Now

  Conversation Piece – Alexandra Harris

  Landscape Now
• Gardening the Archive:
  A Conversation between David Alesworth and Hammad Nasar

  Cover Collaboration – David Alesworth, Hammad Nasar

  Gardening the Archive:<br>A Conversation between David Alesworth and Hammad Nasar
• Paul Nash’s Geological Enigma

  Article – Anna Reid

  Paul Nash’s Geological Enigma
• Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

  Article – Anna Falcini

  Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film
• On Place and Displacement:
  Benjamin Henry Latrobe and the Immigrant Landscape

  Article – Julia A. Sienkewicz

  On Place and Displacement:<br>Benjamin Henry Latrobe and the Immigrant Landscape
• Liquid Landscape: Southam, Constable, and the Art of the Pond

  Article – Stephen Daniels

  Liquid Landscape: Southam, Constable, and the Art of the Pond
• The Anthroposcenic: Landscape in the Anthroposcene

  Article – David Matless

  The Anthroposcenic: Landscape in the Anthroposcene
• Landscaping Islands:
  Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

  Article – Gill Perry

  Landscaping Islands:<br>Alex Hartley’s <i>Nowhereisland</i> and Floating Histories in Contemporary British Art
• Outside In: Reflections of British Landscape in the Long Anthropocene

  Article – Mark A. Cheetham

  Outside In: Reflections of British Landscape in the Long Anthropocene
• Lines in the Landscape:
  Ruins and Reveals in Britain

  Article – Corinne Silva, Val Williams

  Lines in the Landscape:<br>Ruins and Reveals in Britain
• The “Connoisseur’s Panorama”:
  Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

  Article – Greg Smith

  The “Connoisseur’s Panorama”:<br>Thomas Girtin’s <i>Eidometropolis</i> (1801–1803) and a New Visual Language for the Modern City
• 1973 and the Future of Landscape

  Article – Nicholas Alfrey

  1973 and the Future of Landscape
• Introduction:
  The Alma-Tademas’ Studio-Houses and Beyond

  Article – Elizabeth Prettejohn, Peter Trippi

  Introduction:<br>The Alma-Tademas’ Studio-Houses and Beyond
• Laboratories of Creativity:
  The Alma-Tademas' Studio-Houses and Beyond

  Conversation Piece – Elizabeth Prettejohn, Peter Trippi

  Laboratories of Creativity:<br>The Alma-Tademas' Studio-Houses and Beyond
• What Do We Want from Artists’ Houses?
  A Reflection

  Article – Christopher Reed

  What Do We Want from Artists’ Houses?<br><i>A Reflection</i>
• The Resistant Materiality of Frederic Leighton’s Arab Hall

  Article – Mary Roberts

  The Resistant Materiality of Frederic Leighton’s Arab Hall
• The Atmospherics of Leighton House

  Cover Collaboration – Jonathan Law, Mary Roberts

  The Atmospherics of Leighton House
• “A Door of Hell”:
  Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

  Article – Gregory Salter

  “A Door of Hell”:<br>Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• “As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

  Article – Damian Taylor

  “As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle
• Aubrey Williams: Abstraction in Diaspora

  Article – Kobena Mercer

  Aubrey Williams: Abstraction in Diaspora
• “The Art Game”:
  Television, Monitor, and British Art at the turn of the 1960s

  Article – Michael Clegg

  “The Art Game”:<br>Television, <i>Monitor</i>, and British Art at the turn of the 1960s
• Snapshots from No Man's Land

  Cover Collaboration – Pippa Oldfield

  Snapshots from No Man's Land
• “From a Sheet of Paper to the Sky”

  In the Artist’s Words – Inga Fraser

  “From a Sheet of Paper to the Sky”
• “The Snob’s Chaldron”: Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain

  Article – Katherine Gazzard

  “The Snob’s Chaldron”: Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain
• A Photobook of the Shimmer:
  Pearl Fisheries, Photography, and British Colonialism in South Asia

  Article – Natasha Eaton

  A Photobook of the Shimmer:<br>Pearl Fisheries, Photography, and British Colonialism in South Asia
• Elegant Engravings of the Pacific:
  Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines

  Article – Jocelyn Anderson

  Elegant Engravings of the Pacific:<br>Illustrations of James Cook’s Expeditions in British Eighteenth-Century Magazines
• Art by the Many: London Style Cults of the 1960s

  Conversation Piece – Thomas Crow

  Art by the Many: London Style Cults of the 1960s
• Seeing Red

  Cover Collaboration – Glenn Adamson, Richard Caspole

  Seeing Red
• The Famous Women Dinner Service: A Critical Introduction and Catalogue

  Look First – Hana Leaper

  The <i>Famous Women</i> Dinner Service: A Critical Introduction and Catalogue
• The Famous Women Dinner Service: In Conversation with Contemporary Art

  Look First – Judy Chicago, The Women’s Art League, Carmen Hermo, Hana Leaper, Jonathan Law

  The <i>Famous Women</i> Dinner Service: In Conversation with Contemporary Art
• Editorial

  Editorial – Jessica Berenbeim, Sandy Heslop

  Editorial
• Medieval Invention and its Potencies

  Article – Paul Binski

  Medieval Invention and its Potencies
• Innovation in English Gothic Architecture:
  Risks, Impediments, and Opportunities

  Article – Roger Stalley

  Innovation in English Gothic Architecture:<br>Risks, Impediments, and Opportunities
• Imagining Invention:
  The Character of the “Gothic architect” and England, 1200–1400

  Article – James Hillson

  Imagining Invention:<br>The Character of the “Gothic architect” and England, 1200–1400
• Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral

  Article – Alexandrina Buchanan, Nicholas Webb

  Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral
• Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

  Article – Helen Lunnon

  Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England
• Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster

  Article – Laura Slater

  Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster
• The Englishness of English Sedilia

  Article – James Alexander Cameron

  The Englishness of English Sedilia
• Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

  Article – Jessica Barker

  Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland
• In the Vineyard of the Lord:
  Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges

  Article – Veronika Decker

  In the Vineyard of the Lord:<br>Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges
• The Temple of Justice and the Key of David:
  Anachronism and Authority in the Chichester Seal Matrix

  Article – Lloyd de Beer

  The Temple of Justice and the Key of David:<br>Anachronism and Authority in the Chichester Seal Matrix
• Resonance and Reuse:
  The Fifteenth-Century Transformation of a Late Romanesque Vita Christi

  Article – Kristen Collins

  Resonance and Reuse:<br>The Fifteenth-Century Transformation of a Late Romanesque <i>Vita Christi</i>
• Wording the Wound Man

  Article – Jack Hartnell

  Wording the Wound Man
• Disciplining the Digital:
  Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History

  Conversation Piece – Amy Jeffs

  Disciplining the Digital:<br>Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History
• Handling Digital Objects

  Introduction – Lloyd de Beer, Naomi Speakman

  Handling Digital Objects
• Between a Rock and a Blue Chair:
  David Hockney’s Rocky Mountains and Tired Indians (1965)

  Article – Martin Hammer

  Between a Rock and a Blue Chair:<br>David Hockney’s <i>Rocky Mountains and Tired Indians</i> (1965)
• Drawing after the Antique at the British Museum, 1809–1817:
  “Free” Art Education and the Advent of the Liberal State

  Article – Martin Myrone

  Drawing after the Antique at the British Museum, 1809–1817:<br>“Free” Art Education and the Advent of the Liberal State
• A “Modern Rendezvous” in London:
  Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)

  Article – Bernard Vere

  A “Modern Rendezvous” in London:<br>Painters, Pilots, and Edward Wadsworth’s <i>A Short Flight</i> (1914)
• Lowry and the Local

  Article – Anne M. Wagner

  Lowry and the Local
• Resurrection, Re-Imagination, Reconstruction:
  New Viewpoints on the Hereford Screen

  One Object – Ayla Lepine

  Resurrection, Re-Imagination, Reconstruction:<br>New Viewpoints on the Hereford Screen
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• New Brutalist Image 1949–55:
  'atlas to a new world' or, 'trying to look at things today'

  Look First – Victoria Walsh, Claire Zimmerman

  New Brutalist Image 1949–55:<br>'atlas to a new world' or, 'trying to look at things today'
• The Temporal Dimensions of the London Art Auction, 1780–1835

  Article – Matthew Lincoln, Abram Fox

  The Temporal Dimensions of the London Art Auction, 1780–1835
• Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

  Article – Catherine Roach

  Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays
• Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

  Article – Sean Robert Willcock

  Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India
• “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

  Article – Vajdon Sohaili

  “The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's <i>Bathing</i>, 1911
• Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

  Article – Kate Grandjouan

  Super-size caricature: Thomas Rowlandson's <i>Place des Victoires</i> at the Society of Artists in 1783
• Exit Theory:
  Thinking Photography and Thinking History from One Crisis to Another

  Conversation Piece – John Tagg

  Exit Theory:<br>Thinking Photography and Thinking History from One Crisis to Another
• Martin Parr

  Cover Collaboration – Martin Parr

  Martin Parr
• Conference Proceedings: Photography and Britishness

  Recordings – Sarah Victoria Turner, Martina Droth

  Conference Proceedings: <i>Photography and Britishness</i>
• British Sculpture Abroad: An Introduction

  Introduction – Penelope Curtis, Martina Droth

  British Sculpture Abroad: An Introduction
• The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”

  Essay – Henry Meyric Hughes

  The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”
• Introduction to British Sculpture Abroad in the 1960s

  Essay – Jon Wood

  Introduction to British Sculpture Abroad in the 1960s
• 1970s: Out of Sculpture

  Essay – Elena Crippa

  1970s: Out of Sculpture
• Renewing the New: British Sculpture in the 1980s

  Essay – Greg Hilty

  Renewing the New: British Sculpture in the 1980s
• Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s

  Essay – Courtney J. Martin

  Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

  Article – Anne Nellis Richter

  Changing Subjects: The Gallery at Cleveland House and the Highland Clearances
• Still Invisible?

  Conversation Piece – Patricia de Montfort, Robyne Erica Calvert

  Still Invisible?
• Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

  Article – Roxane Sperber, Jens Stenger

  Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period
• High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

  Article – John Chu

  High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds
• Looking for “the Longitude”

  Look First – Katy Barrett

  Looking for “the Longitude”
• Carnation, Lily, Lily, Rose and the process of painting

  One Object – Rebecca Hellen, Elaine Kilmurray

  <i>Carnation, Lily, Lily, Rose</i> and the process of painting
• Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

  Article – Matthew Craske

  Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture
• John Singleton Copley and the World of Prints

  Audio-Visual Conversation – Jules Prown, Mark Hallett

  John Singleton Copley and the World of Prints
• Yale Center for British Art

  Cover Collaboration – David Lewis

  Yale Center for British Art
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• There's No Such Thing as British Art

  Conversation Piece – Richard Johns

  There's No Such Thing as British Art
• “A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art

  Article – Georgina Cole

  “A beautiful assemblage of an interesting nature” : Gainsborough’s <i>Charity Relieving Distress</i> and the Reconciliation of High and Low Art
• Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961

  Article – Giulia Smith

  Painting that Grows Back: Futures Past and the Ur-feminist Art of Magda Cordell McHale, 1955–1961
• Haptic Blackness: The Double Life of an 18th-century Bust

  One Object – Cyra Levenson, Chi-ming Yang, Ken Gonzales-Day

  Haptic Blackness: The Double Life of an 18th-century Bust
• Arts and Crafts Painting: The Political Agency of Things

  Article – Morna O'Neill

  Arts and Crafts Painting: The Political Agency of Things
• Deakin: Double Exposures

  Look First – Paul Rousseau, James Boaden, Jonathan Law

  Deakin: Double Exposures
• Pregnant Wit: ingegno in Renaissance England

  Article – Alexander Marr

  Pregnant Wit: <i>ingegno</i> in Renaissance England
• Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide

  Article – Kara Fiedorek

  Varieties of Photographic Experience: Frederick H. Evans and the Lantern Slide
• Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s

  Article – Catherine Spencer

  Abstraction’s Ecologies: Post-Industrialization, Waste and the Commodity Form in Prunella Clough’s Paintings of the 1980s and 1990s
• British Art Show 8

  Cover Collaboration – Roger Malbert

  British Art Show 8