Article index

Search British Art Studies articles using the keyword search facility. For example, “Gainsborough” or “sculpture”.

28 Results

A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South Asia

Article – Natasha Eaton

A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia
Lowry and the Local

Article – Anne M. Wagner

Lowry and the Local
Editorial

Editorial – British Art Studies Editorial Group

Editorial
New Brutalist Image 1949–55:
'atlas to a new world' or, 'trying to look at things today'

Look First – Victoria Walsh, Claire Zimmerman

New Brutalist Image 1949–55: 'atlas to a new world' or, 'trying to look at things today'
The Temporal Dimensions of the London Art Auction, 1780–1835

Article – Matthew Lincoln, Abram Fox

The Temporal Dimensions of the London Art Auction, 1780–1835
Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Article – Catherine Roach

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays
Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

Article – Sean Robert Willcock

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India
“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Article – Vajdon Sohaili

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Article – Kate Grandjouan

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783
Exit Theory:
Thinking Photography and Thinking History from One Crisis to Another

Conversation Piece – John Tagg

Exit Theory: Thinking Photography and Thinking History from One Crisis to Another
Martin Parr

Cover Collaboration – Martin Parr

Martin Parr
Conference Proceedings: Photography and Britishness

Recordings – Sarah Victoria Turner, Martina Droth

Conference Proceedings: Photography and Britishness
British Sculpture Abroad: An Introduction

Introduction – Penelope Curtis, Martina Droth

British Sculpture Abroad: An Introduction
The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”

Essay – Henry Meyric Hughes

The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”
Introduction to British Sculpture Abroad in the 1960s

Essay – Jon Wood

Introduction to British Sculpture Abroad in the 1960s
1970s: Out of Sculpture

Essay – Elena Crippa

1970s: Out of Sculpture
Renewing the New: British Sculpture in the 1980s

Essay – Greg Hilty

Renewing the New: British Sculpture in the 1980s
Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s

Essay – Courtney J. Martin

Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s
Editorial

Editorial – British Art Studies Editorial Group

Editorial
Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Article – Anne Nellis Richter

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances
Still Invisible?

Conversation Piece – Patricia de Montfort, Robyne Erica Calvert

Still Invisible?
Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

Article – Roxane Sperber, Jens Stenger

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period
High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Article – John Chu

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds
Looking for “the Longitude”

Look First – Katy Barrett

Looking for “the Longitude”
Carnation, Lily, Lily, Rose and the process of painting

One Object – Rebecca Hellen, Elaine Kilmurray

Carnation, Lily, Lily, Rose and the process of painting
Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

Article – Matthew Craske

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture
John Singleton Copley and the World of Prints

Audio-Visual Conversation – Jules Prown, Mark Hallett

John Singleton Copley and the World of Prints
Yale Center for British Art

Cover Collaboration – David Lewis

Yale Center for British Art

28 Results

A Photobook of the Shimmer:Pearl Fisheries, Photography, and British Colonialism in South Asia

Lowry and the Local

Editorial

New Brutalist Image 1949–55:'atlas to a new world' or, 'trying to look at things today'

The Temporal Dimensions of the London Art Auction, 1780–1835

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Exit Theory:Thinking Photography and Thinking History from One Crisis to Another

Martin Parr

Conference Proceedings: Photography and Britishness

British Sculpture Abroad: An Introduction

The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”

Introduction to British Sculpture Abroad in the 1960s

1970s: Out of Sculpture

Renewing the New: British Sculpture in the 1980s

Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s

Editorial

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Still Invisible?

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Looking for “the Longitude”

Carnation, Lily, Lily, Rose and the process of painting

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

John Singleton Copley and the World of Prints

Yale Center for British Art

A Photobook of the Shimmer:
Pearl Fisheries, Photography, and British Colonialism in South Asia

New Brutalist Image 1949–55:
'atlas to a new world' or, 'trying to look at things today'

Exit Theory:
Thinking Photography and Thinking History from One Crisis to Another