Article index

26 Results

• Introduction

  Editorial – Mark Hallett

  Introduction
• Landscape Then and Now

  Article – Tim Barringer

  Landscape Then and Now
• Fire-Stick Picturesque:
  Landscape Art and Early Colonial Tasmania

  Article – Julia Lum

  Fire-Stick Picturesque:<br>Landscape Art and Early Colonial Tasmania
• Landscape Now

  Conversation Piece – Alexandra Harris

  Landscape Now
• Gardening the Archive:
  A Conversation between David Alesworth and Hammad Nasar

  Cover Collaboration – David Alesworth, Hammad Nasar

  Gardening the Archive:<br>A Conversation between David Alesworth and Hammad Nasar
• Paul Nash’s Geological Enigma

  Article – Anna Reid

  Paul Nash’s Geological Enigma
• Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

  Article – Anna Falcini

  Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film
• On Place and Displacement:
  Benjamin Henry Latrobe and the Immigrant Landscape

  Article – Julia A. Sienkewicz

  On Place and Displacement:<br>Benjamin Henry Latrobe and the Immigrant Landscape
• Liquid Landscape: Southam, Constable, and the Art of the Pond

  Article – Stephen Daniels

  Liquid Landscape: Southam, Constable, and the Art of the Pond
• The Anthroposcenic: Landscape in the Anthroposcene

  Article – David Matless

  The Anthroposcenic: Landscape in the Anthroposcene
• Landscaping Islands:
  Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

  Article – Gill Perry

  Landscaping Islands:<br>Alex Hartley’s <i>Nowhereisland</i> and Floating Histories in Contemporary British Art
• Outside In: Reflections of British Landscape in the Long Anthropocene

  Article – Mark A. Cheetham

  Outside In: Reflections of British Landscape in the Long Anthropocene
• Lines in the Landscape:
  Ruins and Reveals in Britain

  Article – Corinne Silva, Val Williams

  Lines in the Landscape:<br>Ruins and Reveals in Britain
• The “Connoisseur’s Panorama”:
  Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

  Article – Greg Smith

  The “Connoisseur’s Panorama”:<br>Thomas Girtin’s <i>Eidometropolis</i> (1801–1803) and a New Visual Language for the Modern City
• 1973 and the Future of Landscape

  Article – Nicholas Alfrey

  1973 and the Future of Landscape
• Introduction:
  The Alma-Tademas’ Studio-Houses and Beyond

  Article – Elizabeth Prettejohn, Peter Trippi

  Introduction:<br>The Alma-Tademas’ Studio-Houses and Beyond
• Laboratories of Creativity:
  The Alma-Tademas' Studio-Houses and Beyond

  Conversation Piece – Elizabeth Prettejohn, Peter Trippi

  Laboratories of Creativity:<br>The Alma-Tademas' Studio-Houses and Beyond
• What Do We Want from Artists’ Houses?
  A Reflection

  Article – Christopher Reed

  What Do We Want from Artists’ Houses?<br><i>A Reflection</i>
• The Resistant Materiality of Frederic Leighton’s Arab Hall

  Article – Mary Roberts

  The Resistant Materiality of Frederic Leighton’s Arab Hall
• The Atmospherics of Leighton House

  Cover Collaboration – Jonathan Law, Mary Roberts

  The Atmospherics of Leighton House
• “A Door of Hell”:
  Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

  Article – Gregory Salter

  “A Door of Hell”:<br>Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s
• Editorial

  Editorial – British Art Studies Editorial Group

  Editorial
• “As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

  Article – Damian Taylor

  “As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle
• Aubrey Williams: Abstraction in Diaspora

  Article – Kobena Mercer

  Aubrey Williams: Abstraction in Diaspora
• “The Art Game”:
  Television, Monitor, and British Art at the turn of the 1960s

  Article – Michael Clegg

  “The Art Game”:<br>Television, <i>Monitor</i>, and British Art at the turn of the 1960s
• Snapshots from No Man's Land

  Cover Collaboration – Pippa Oldfield

  Snapshots from No Man's Land