Article index

Search British Art Studies articles using the keyword search facility. For example, “Gainsborough” or “sculpture”.

19 Results

Landscape Then and Now

Article – Tim Barringer

Landscape Then and Now
Fire-Stick Picturesque:
Landscape Art and Early Colonial Tasmania

Article – Julia Lum

Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania
Paul Nash’s Geological Enigma

Article – Anna Reid

Paul Nash’s Geological Enigma
Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

Article – Anna Falcini

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film
On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant Landscape

Article – Julia A. Sienkewicz

On Place and Displacement: Benjamin Henry Latrobe and the Immigrant Landscape
Liquid Landscape: Southam, Constable, and the Art of the Pond

Article – Stephen Daniels

Liquid Landscape: Southam, Constable, and the Art of the Pond
The Anthroposcenic: Landscape in the Anthroposcene

Article – David Matless

The Anthroposcenic: Landscape in the Anthroposcene
Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Article – Gill Perry

Landscaping Islands: Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art
Outside In: Reflections of British Landscape in the Long Anthropocene

Article – Mark A. Cheetham

Outside In: Reflections of British Landscape in the Long Anthropocene
Lines in the Landscape:
Ruins and Reveals in Britain

Article – Corinne Silva, Val Williams

Lines in the Landscape: Ruins and Reveals in Britain
The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

Article – Greg Smith

The “Connoisseur’s Panorama”: Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City
1973 and the Future of Landscape

Article – Nicholas Alfrey

1973 and the Future of Landscape
Introduction:
The Alma-Tademas’ Studio-Houses and Beyond

Article – Elizabeth Prettejohn, Peter Trippi

Introduction: The Alma-Tademas’ Studio-Houses and Beyond
What Do We Want from Artists’ Houses?
A Reflection

Article – Christopher Reed

What Do We Want from Artists’ Houses? A Reflection
The Resistant Materiality of Frederic Leighton’s Arab Hall

Article – Mary Roberts

The Resistant Materiality of Frederic Leighton’s Arab Hall
“A Door of Hell”:
Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

Article – Gregory Salter

“A Door of Hell”: Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s
“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

Article – Damian Taylor

“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle
Aubrey Williams: Abstraction in Diaspora

Article – Kobena Mercer

Aubrey Williams: Abstraction in Diaspora
“The Art Game”:
Television, Monitor, and British Art at the turn of the 1960s

Article – Michael Clegg

“The Art Game”: Television, Monitor, and British Art at the turn of the 1960s

19 Results

Landscape Then and Now

Fire-Stick Picturesque:Landscape Art and Early Colonial Tasmania

Paul Nash’s Geological Enigma

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

On Place and Displacement:Benjamin Henry Latrobe and the Immigrant Landscape

Liquid Landscape: Southam, Constable, and the Art of the Pond

The Anthroposcenic: Landscape in the Anthroposcene

Landscaping Islands:Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Outside In: Reflections of British Landscape in the Long Anthropocene

Lines in the Landscape:Ruins and Reveals in Britain

The “Connoisseur’s Panorama”:Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

1973 and the Future of Landscape

Introduction:The Alma-Tademas’ Studio-Houses and Beyond

What Do We Want from Artists’ Houses?A Reflection

The Resistant Materiality of Frederic Leighton’s Arab Hall

“A Door of Hell”:Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

“As if every particle was alive”: The Charged Canvas of Constable’s Hadleigh Castle

Aubrey Williams: Abstraction in Diaspora

“The Art Game”:Television, Monitor, and British Art at the turn of the 1960s

Fire-Stick Picturesque:
Landscape Art and Early Colonial Tasmania

On Place and Displacement:
Benjamin Henry Latrobe and the Immigrant Landscape

Landscaping Islands:
Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

Lines in the Landscape:
Ruins and Reveals in Britain

The “Connoisseur’s Panorama”:
Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

Introduction:
The Alma-Tademas’ Studio-Houses and Beyond

What Do We Want from Artists’ Houses?
A Reflection

“A Door of Hell”:
Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s

“The Art Game”:
Television, Monitor, and British Art at the turn of the 1960s