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British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 5 – April 2017

Francis Alexander Skidmore and Sir George Gilbert Scott, The Hereford Screen (dithered detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984). Digital image courtesy of Victoria & Albert Museum, London.
ARTICLE
Between a Rock and a Blue Chair: David Hockney’s Rocky Mountains and Tired Indians (1965)
By Martin Hammer
ARTICLE
Drawing after the Antique at the British Museum, 1809–1817: “Free” Art Education and the Advent of the Liberal State
By Martin Myrone
ARTICLE
A “Modern Rendezvous” in London: Painters, Pilots, and Edward Wadsworth’s A Short Flight (1914)
By Bernard Vere
ARTICLE
Lowry and the Local
By Anne M. Wagner
ONE OBJECT
Resurrection, Re-Imagination, Reconstruction: New Viewpoints on the Hereford Screen
By Ayla Lepine
ONE OBJECT
Theology and Threshold: Victorian Approaches to Reviving Choir and Rood Screens
By Ayla Lepine
ONE OBJECT
The Hereford Screen: A Prehistory
By Matthew Reeve
ONE OBJECT
The Medieval Choir Screen in Sacred Space: The Dynamic Interiors of Vezzolano and Breisach
By Jacqueline E. Jung
ONE OBJECT
Sound and Vision in the Hereford Screen
By Justin Underhill
ONE OBJECT
Liturgy and Music in Hereford Cathedral in the Time of Queen Victoria and Beyond
By Tessa Murdoch
ONE OBJECT
Collaborations Between Scott and Skidmore
By Alicia Robinson
ONE OBJECT
“A triumph of art” or “blatant vulgarity”: The Reception of Scott and Skidmore’s Screens
By Alicia Robinson
ONE OBJECT
Conserving and Restoring the Hereford Screen
By Diana Heath