British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 8 – July 2016

Black and white photograph. Two cats drinking from a bowl. A phonograph sits on a chair to our right, the horn flaring towards us. — Mairi Chisholm, Dunkie and Gros Gris, Pervyse (dithered detail), undated. Digital image courtesy of National Library of Scotland.

EDITORIAL

Editorial

By British Art Studies Editorial Group

ARTICLE

“As if Every Particle Was Alive”: The Charged Canvas of Constable’s Hadleigh Castle

By Damian Taylor

ARTICLE

Aubrey Williams: Abstraction in Diaspora

By Kobena Mercer

ARTICLE

The Art Game: Television, Monitor, and British Art at the turn of the 1960s

By Michael Clegg

CURATORIAL ESSAY

Snapshots from No Man’s Land

By Pippa Oldfield