British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 10 – November 2018

Landscape Now Edited by Mark Hallett

Public art project. Golden yellow and muted green star-shaped pods are scattered along a grey brick sidewalk. About twenty pods are visible in this image. — David Alesworth, Unter den Linden (dithered detail), 2010, horticultural intervention, public art project, terminalia arjuna seeds (sterilized) yellow paint. Digital image courtesy of David Alesworth.

INTRODUCTION

Introduction: Landscape Now

By Mark Hallett

ARTICLE

Landscape Then and Now

By Tim Barringer

ARTICLE

Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania

By Julia Lum

CONVERSATION PIECE

Convened by Alexandra Harris

ARTIST COLLABORATION

Gardening the Archive: A Conversation between David Alesworth and Hammad Nasar

By Hammad Nasar David Alesworth

ARTICLE

Paul Nash’s Geological Enigma

By Anna Reid

ARTICLE

Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film

By Anna Falcini

ARTICLE

On Place and Displacement: Benjamin Henry Latrobe and the Immigrant Landscape

By Julia A. Sienkewicz

ARTICLE

Liquid Landscape: Southam, Constable, and the Art of the Pond

By Stephen Daniels

ARTICLE

The Anthroposcenic: Landscape in the Anthroposcene

By David Matless

ARTICLE

Landscaping Islands: Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art

By Gill Perry

ARTICLE

Outside In: Reflections of British Landscape in the Long Anthropocene

By Mark A. Cheetham

ARTICLE

Lines in the Landscape: Ruins and Reveals in Britain

By Corinne Silva Val Williams

ARTICLE

The “Connoisseur’s Panorama”: Thomas Girtin’s Eidometropolis (1801–1803) and a New Visual Language for the Modern City

By Greg Smith

ARTICLE

1973 and the Future of Landscape

By Nicholas Alfrey