British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 13 – September 2019

London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner

Ada Hao, *like a flower paddle my teeth* (dithered video still), 10 minutes 34 seconds, 2019. Digital image courtesy of Ada Hao

INTRODUCTION

London, Asia, Exhibitions, Histories

By Hammad Nasar Sarah Victoria Turner

ARTICLE

Exhibitions, Histories: Showing, Telling, Seeing and Beyond

By Sonal Khullar

CONVERSATION PIECE

Why Exhibition Histories?

Convened by Saloni Mathur

INTERVIEW

Exhibitions in Print

Interview between Sharmini Pereira Sneha Ragavan

INTERVIEW

Curating the Cosmopolis

Interview between Iwona Blazwick Rattanamol Singh Johal

INTERVIEW

Unlearning the Modern

Interview between David Elliott Hilary Floe

ARTICLE

Instant Malaysia: Imagining a Nation at the Commonwealth Institute

By Kelvin Chuah

ARTICLE

“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute

By Sarena Abdullah

ARTICLE

Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute

By Claire Wintle

ARTICLE

Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London

By Lotte Hoek Sanjukta Sunderason

ARTICLE

“Exciting a Wider Interest in the Art of India”: The 1931 Burlington Fine Arts Club Exhibition

By Brinda Kumar

ARTICLE

Researching Exhibitions of South Asian Women Artists in Britain in the 1980s

By Alice Correia

CURATORIAL ESSAY

Taking Space for Asian Diaspora Narratives

By Annie Jael Kwan

ARTIST COLLABORATION

26 x 2 = 0

By Bettina Fung | 馮允珊

ARTIST COLLABORATION

“like a flower paddle my teeth”

By Ada Hao

ARTIST COLLABORATION

Yellow Peril

By Nicholas Tee