British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 15 – February 2020

Black and white image. A couch, fireplace mantle, chairs, and an area rug are juxtaposed, perhaps collaged, against a landscape of trees and power lines. — Laura Grace Ford, Pylon (dithered detail), 2019. Digital image courtesy of Laura Grace Ford.

ARTIST COLLABORATION

A Visionary Sense of London

By Laura Grace Ford

ARTICLE

Bert Hardy: Exercises with Photography and Film

By Lynda Nead John Wyver

ARTICLE

Postindustrialism and the Long Arts And Crafts Movement: Between Britain, India, and the United States Of America

By Sria Chatterjee

ARTICLE

Reason Dazzled: The All-Seeing and the Unseeing in Turner’s Regulus

By Matthew Beaumont

ARTICLE

Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18

By Aviva Burnstock Sarah MacDougall

ARTICLE

Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture

By David Hansen