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Special Issue

Issue 11 – March 2019

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

Curated by Grace Brockington, in collaboration with Impermanence, with contributions from Ella Margolin and Claudia Tobin

Film still, The Ballet of the Nations, 2018.

Digital image courtesy of Impermanence.

Section

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond

Introduction – Grace Brockington

Theatres of War: Experimental Performance in London, 1914–1918 and Beyond
Theatres of War

Performing Pacifism

Virtual Exhibition – Grace Brockington

Performing Pacifism
Theatres of War

Inspirations

Virtual Exhibition – Grace Brockington

Inspirations
Theatres of War

London's Little Theatres

Virtual Exhibition – Grace Brockington, Claudia Tobin

London's Little Theatres
Theatres of War

Beyond London & the War

Virtual Exhibition – Grace Brockington

Beyond London & the War
Section

The Ballet of the Nations

Film – Impermanence

<i>The Ballet of the Nations</i>
Making The Ballet of the Nations

Costumes and Production

Interview – Ella Margolin, Pam Tait

Costumes and Production
Making The Ballet of the Nations

Composing

Interview – Robert Bentall

Composing
Making The Ballet of the Nations

Directing and Choreography

Interview – Roseanna Anderson, Joshua Ben-Tovim

Directing and Choreography
Making The Ballet of the Nations

Cinematography

Interview – Ella Margolin, Jack Offord

Cinematography

Introduction Theatres of War: Experimental Performance in London, 1914–1918 and Beyond Grace Brockington

Imprint

Title: British Art Studies

ISSN: 2058-5462

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art

Journal DOI: https://doi.org/10.17658/issn.2058-5462/issue-11

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