“like a flower paddle my teeth”
Issue 13

About the author
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Ada Xiaoyu Hao is an artist working and curating in performance. Currently, she is working on her practice-based PhD research project: Plastic Fantasies: Reconfigure Subjectivity As Embodied Avatars, at the University of Brighton. How to construct subjectivity on the threshold of becoming? Ada’s performances deterritorialise viewers with a non-dualistic reconfiguration among embodied subjects and alienated individuals by reimagining and resituating the embodied experience of “becoming” as a radical performance-based method that disrupts the existing knowledge of post-human subjectivity. As a curator in performance, Ada runs PAPRIKA Collective with such questions as: would it be possible for one to make an analogy between a site-specific performance space and a scientific lab? If possible, can we use any site-specific performance space as an inhabitant to purposely situate “becoming”? Most recently, Ada has presented the one-year project NAUT-ADA (2019) at the “Fiction as Method” symposium at Bath University. Read about her work and projects at http://www.adahao.com and http://www.paprika.org.uk.
Imprint
Author | Ada Hao |
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Date | 30 September 2019 |
Category | Artist Collaboration |
Review status | Peer Reviewed (Double Blind) |
License | Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) |
Downloads | PDF format |
Article DOI | https://doi.org/10.17658/issn.2058-5462/issue-13/ahao |
Cite as | Hao, Ada. “‘Like a Flower Paddle My Teeth.’” In British Art Studies: London, Asia, Exhibitions, Histories (Edited by Hammad Nasar and Sarah Victoria Turner). London and New Haven: Paul Mellon Centre for Studies in British Art and Yale University Press, 2019. https://master--britishartstudies-13.netlify.app/issues/13/like-a-flower-paddle-my-teeth/. |
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