British Art Studies, Issue 14

on the side of the disease and not the cure

Cover Collaboration – James Richards, Sarah Perks

on the side of the disease and not the cure
“The Assemblage of Specimens”:
The Magazine as Catalogue in 1970s Britain

Article – Samuel Bibby

“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain
“Irrigated Neither by the Seine Nor by the Thames”:
Jack B. Yeats’s Reception in London

Article – Nathan O'Donnell

“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London
The Texture of Capitalism:
Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts

Article – Kirsty Sinclair Dootson

The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts
The Ecosystem of Exhibitions:
Venues, Artists, and Audiences in Early Nineteenth-Century London

Article – Catherine Roach

The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London
“The Sense of Nearness”:
Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Article – Katherine Fein

“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting

Imprint

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art