Issue 2

Editorial

Editorial – British Art Studies Editorial Group

Editorial
Changing Subjects: The Gallery at Cleveland House and the Highland Clearances

Article – Anne Nellis Richter

Changing Subjects: The Gallery at Cleveland House and the Highland Clearances
Still Invisible?

Conversation Piece – Patricia de Montfort, Robyne Erica Calvert

Still Invisible?
Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period

Article – Roxane Sperber, Jens Stenger

Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period
High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds

Article – John Chu

High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds
Looking for “the Longitude”

Look First – Katy Barrett

Looking for “the Longitude”
Carnation, Lily, Lily, Rose and the process of painting

One Object – Rebecca Hellen, Elaine Kilmurray

<i>Carnation, Lily, Lily, Rose</i> and the process of painting
Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture

Article – Matthew Craske

Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture
John Singleton Copley and the World of Prints

Audio-Visual Conversation – Jules Prown, Mark Hallett

John Singleton Copley and the World of Prints
Yale Center for British Art

Cover Collaboration – David Lewis

Yale Center for British Art