British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 23 – August 2022

Brass Monument of Reginald Braybrooke (dithered detail), St Mary Magdalene Church, Cobham, Kent, circa 1407, brass. Digital image courtesy of Monumental Brass Society (all rights reserved).

ARTIST COLLABORATION

The Market Woman’s Story

By Jacqueline Bishop

ARTICLE

Beauty and Revolution: Gustav Metzger’s Dialectical Aesthetics

By Elizabeth Fisher

ARTICLE

Inventing Provinciality: St Andrews and the Global Networks of Early Victorian Photography

By Luke Gartlan

ARTICLE

Death and the Found Object: Virginia Woolf, Lucy Skaer, and Becky Beasley

By Margaret Iversen

ARTICLE

The Black Prince, the Trinity, and the Art of Commemoration

By Sophie Kelly

ARTICLE

Exit, Pursued by John Kay: The Staging of Graphic Satire in Late Eighteenth-Century Edinburgh

By Wendy McGlashan

ARTICLE

Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

By Margaret J. Schmitz