Issue 4

Editorial

Editorial – British Art Studies Editorial Group

Editorial
New Brutalist Image 1949–55:
'atlas to a new world' or, 'trying to look at things today'

Look First – Victoria Walsh, Claire Zimmerman

New Brutalist Image 1949–55: 'atlas to a new world' or, 'trying to look at things today'
The Temporal Dimensions of the London Art Auction, 1780–1835

Article – Matthew Lincoln, Abram Fox

The Temporal Dimensions of the London Art Auction, 1780–1835
Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Article – Catherine Roach

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays
Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

Article – Sean Robert Willcock

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India
“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Article – Vajdon Sohaili

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911
Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Article – Kate Grandjouan

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783
Exit Theory:
Thinking Photography and Thinking History from One Crisis to Another

Conversation Piece – John Tagg

Exit Theory: Thinking Photography and Thinking History from One Crisis to Another
Martin Parr

Cover Collaboration – Martin Parr

Martin Parr
Conference Proceedings: Photography and Britishness

Recordings – Sarah Victoria Turner, Martina Droth

Conference Proceedings: Photography and Britishness

Editorial Editorial British Art Studies Editorial Group

Imprint

Title: British Art Studies

ISSN: 2058-5462

Publisher: Paul Mellon Centre for Studies in British Art and Yale Center for British Art

Journal DOI: https://doi.org/10.17658/issn.2058-5462/issue-04

Downloads: PDF format, XML format

Editorial

New Brutalist Image 1949–55:'atlas to a new world' or, 'trying to look at things today'

The Temporal Dimensions of the London Art Auction, 1780–1835

Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays

Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India

“The Mirror-Like Sea”: A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911

Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783

Exit Theory:Thinking Photography and Thinking History from One Crisis to Another

Martin Parr

Conference Proceedings: Photography and Britishness

Imprint

New Brutalist Image 1949–55:
'atlas to a new world' or, 'trying to look at things today'

Exit Theory:
Thinking Photography and Thinking History from One Crisis to Another